Take that hideous thing outside

I was going to apologize for this being a “lazy” post because it’s mainly photos but then I remembered that photography is a legitimate art form. So I withdraw the apology that I have not offered. If you’ll allow me a moment of bloated egoism, I think some of these pics are fetching.

Winter approaches and it’s time to bid adieu to outdoor art exhibits. I love the monstrosities that some artists create and I’ll miss them. Here are the last two works until spring.

Our old pal Jeff Koons will be selling another balloon animal at Christie’s fall contemporary art auction. This time, it’s Balloon Monkey (Orange), estimated to sell for $20,000,000-$30,000,000.

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It doesn’t look much like a monkey at all, whereas his balloon dogs look like…well…dogs.

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Before each auction, they hold free previews in the gallery. If a show of that caliber opened at MoMA, the line would stretch down 54th Street to 5th Avenue. I don’t understand why more people don’t take advantage.

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This isn’t the first Koons sculpture to appear in front of Christie’s Rockefeller Center location. A while back, there was a balloon dog and some tulips.

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Admiring the art deco frieze.

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Selfie!

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I like the reactions. Tourists and New Yorkers alike scrunch their faces into fists of incomprehension. Can you blame them? The real fun starts when they see the auction estimate. I find these pieces tremendous fun but am depressed that someone would (and could) pay that kind of money for something like this. Rich people are certifiably insane. It’s a FACT.

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 Another day at the office.

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Cop scopes bad asses and robbers.

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I’ll follow-up with my semi-annual auction post in mid-November. Y’all come back now! Ya hear?

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This piece is in the plaza at Lincoln Center. It’s in front of the fountains.

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I had to double-up on my pics because the exposures were so different. Due to the inherent limitations of my iPhone, I could only take a picture of the image on the screen OR the plaza, but not both simultaneously. I think each result is equally interesting.

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Solar Reserve (Tonopah, Nevada) 2014, by Irish artist John Gerrard, is giant LED wall that re-creates a Nevada solar thermal power plant and the surrounding desert.

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The image situates the sun, moon and stars as they would appear at the actual Nevada site over the course of a year. The view slowly morphs from ground to satellite image every 60 minutes. The view is constantly, albeit, very slowly, changing throughout the course of the exhibit. It might be more interesting if they sped up the movement a bit. You don’t see much change just standing there.

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Interesting aside: That sign you see at the bottom are LED lights embedded into the steps leading up to the Plaza. There’s a whole series of them. They scroll upcoming Lincoln Center events and the word “welcome” in multiple languages.

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My colleague at work saw The Ramones at Vassar when she was a teenager. I’d pay a significant amount of money to watch The Ramones play in front of an audience of Vassar co-eds. Who wouldn’t?

Bullet Holes in the Cross

We made our semi-annual pilgrimage to my hometown of Cleveland and took a ride into the old Tremont section on the near west side where my parents grew up. 75 years ago the neighborhood was populated by poor, but proud, Italians, Polish, Germans and Slovaks. Robust, hearty European-types. Men and women with good, strong backs.

I drove down Buhrer Avenue past my mother’s childhood home. It’s amazing what the mind locks away for another day. I had completely forgotten that my father grew up across the street from her. That’s how far removed my dad is from my consciousness.

Buhrer Avenue is what I picture when I read To Kill a Mockingbird. There are plenty of houses with that Boo Radley vibe. I slowly drove past Grandma Meyo’s old, tiny, doll house and was suddenly hit with a wave of remembrance. Across the street, just a few houses away, was Grandma Polack’s house where dad, Aunt Reggie, and Uncle Marty grew up.

As children, we visited the grandparents, uncles, aunts and cousins regularly. The streets were paved with red brick. There was a fruit peddler named Tony Ameto who would walk his fruit and vegetable-laden wooden cart through the neighborhood. One time, my cousin Kenny saw him urinating behind a garage. Thereafter, we would hide in the bushes and torment him with a ditty Kenny made-up to the tune of The Mexican Hat Dance:

My name is Tony Ameto
I live in a bowl of spaghett-o
My name is Tony Ameto
I pee behind garages!

And then we’d run. At the end of the block on the corner of Scranton and Buhrer Avenues was the Scranton Road Tavern. Grandpa Meyo had a drinking problem. Each evening, he’d walk the half block with his dog, Brownie, and take a seat at the bar. After a night of too much drink, Brownie would guide him home. As a reward, Grandpa would give him an Eskimo Pie. Brownie died overweight and of diabetes. An Eskimo Pie a day will do that. My mom said that after we were born, Grandpa stopped drinking. I never once saw him with a drink in his hand.

A few blocks down Scranton Road is St. Michael the Archangel; a 140 year-old Catholic citadel. That’s not old by European standards but there’s a lot of family history in that building. It’s where my mother and father went to elementary school and, much later, were married. My sister and brother-in-law were married there as well. See those two crosses on top of the spires?

st. michaelThey’re copper-covered wooden crosses. Each is 9 x 6 feet. They’re a beautiful shade of aged-green. That’s an old photo above. They’re not up there anymore. You can see one just inside the entrance of the church.

cross1They’re riddled with bullet holes. The neighborhood, no longer European, is now Latino and these new residents saw fit to use them as target practice.

cross2There are over 20 bullet holes in them. Rain water got inside and rotted the wood. They were structurally unsound and had to be taken down.

cross3The church is locked during the day because the neighborhood is crime-ridden. The only reason we got inside is because we lucked upon the caretaker and he unlocked the door for us. [My sister insists that mom put him there because we needed him.]

The old Europeans never would have shot holes in that cross. To what do we attribute this change of attitude? Is it a symptom of societal and family derogation? I think we can rule out economics because the neighborhood has ALWAYS been poor. Dare we suggest it’s cultural? Anyone?


Asbury Park, August 18, 2014, 2:30 p.m.

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Nuclear recycling

I was reluctant to write a post about Ghanaian contemporary artist El Anatsui’s solo show at the Brooklyn Museum, Gravity and Grace: Monumental Works by El Anatsui, fearing that my lame photos and prose wouldn’t capture its freakish, alive spirit. His medium is discarded bottle caps, bands and found objects. He turns them into giant, fluid, flowing works. He gathers thousands of pieces like this:

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And connects them together with copper wire to create stunning curtains like this:

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This is some of the most painstaking work I’ve ever seen. It’s like pointillism except your fingers bleed. Where does his ambition come from? He connects flattened caps together with a painstaking specificity…

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…to create splashes of color and texture. Look how this piece spills onto the floor.

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Here he collected the tops of tins…

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…to create long, snake-like sculptures that ooze across the floor and up the wall.

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From a distance, the pieces hanging on the wall look like great swaths of multi-colored fabric. You want to reach out and caress it. Closer inspection reveals its sharp edges and copper wiring, not soft to the touch.

Behind a curtain of pop top rings.

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Summer is half over. Do you guys call them lightning bugs or fireflies? It’s a regional preference. Do you call it a bucket or a pail? Pop or soda? The Daughters gather them up in our back yard and I always insist they release them. They’re not permitted to stuff them into jars. They’re such beautiful, innocent, harmless creatures. Both The Daughters and the fireflies. I wouldn’t keep either one imprisoned.

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This pic is raw, straight from my iPhone. No Photoshopping, no Camera+, no Picoli—nothing. The technology behind this astonishes me. Some guy wrote a code that allows this to happen. Man, I’ll never be that smart.

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