Close Call

CB and I saw Almost an Evening by Ethan Coen last night. Ethan Coen is half of Joel and Ethan Coen, creators of fine films like No Country for Old Men, Oh, Brother Where Art Thou and Fargo. Also, some mediocre films like The Hudsucker Proxy and The Ladykillers. Still, it’s an impressive list. This was his first foray into the theater. It was three short one-acts (no intermission). The first play was pleasant, the second was a dead fish and the third was the best by a long shot. Very funny, although incredibly vulgar. It’s not for sensitive ears or faint hearts. Some of the actors had to double-up on their roles. It always amazes me to watch an actor play a role and then, a few scenes later, disappear into a completely different role. It’s a trick. When it works, it’s a good one.

Beforehand we ate at Noho Star. It’s been there a long time and is an old favorite. I had the turkey schnitzel, which was okay. I ordered a Dewar’s and soda and they served it in a water glass. I just wanted a little nip to decompress from work but they served me a double mega dose. Why? They’re not stingy, baby. Of course, I finished it. What was I suppose to do? Throw it out?

I spotted a celebrity as soon as I walked in the door. Contemporary artist Chuck Close. I get an extra gold star because I identified him from the back of his head! Touché! He’s bald and in a motorized wheelchair, so it was a bit of a gimmie.

One thought on “Close Call

  1. What was it about No Country for Old Men that critics felt the need to call it “brilliant”? Someone could have filmed activity in the Sahara desert for an hour and it would have been more interesting than that film.Props for recognizing an artist by only looking at the back of his head. You could have gotten extra brownie points had you offered him the rest of your Dewar’s.-Amanda

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