Dear Trent Lewin:
Thank you for the ping. Very thoughtful of you. A few summer projects have prevented me from reading blogs, commenting or writing new posts.
First, my backyard performance art installation, Ode to Summer, opened in June.
Ode to Summer, 2016
String, canvas, a tree, tube steel
I tie one end of string to my right foot and the other end to a tree. I lay in my hammock—a Father’s Day gift—and by moving my right foot slightly from left to right, I’m able to rock myself gently to sleep. To wit:
Second, I read Harry Potter and the Cursed Child, which was a disappointment. To rinse that bad taste out of my mouth, I reread Hemingway’s The Sun Also Rises, a book I first read 20 years ago. I’d forgotten how beautiful and perfectly-written that story is. There’s not one wasted sentence. It filled me with melancholy and hopeless yearning for my youth.
Also, I wrote a book. I dared myself to do it. I took the journal entries I’ve posted here and many more that I haven’t and created a 75,000-word narrative. It’s currently being edited. Do you have any idea how much it costs to hire a professional editor to beat and thrash a manuscript into shape? It’s not cheap. I had to sell one of my rare books. I don’t know if it’ll ever see the light of day. I just wanted to prove to myself that I could do it. I did it! I’m pleased with the results. That’s what matters most.
Here’s a proper art exhibit, since you asked.
Nikki Rosato’s Inbound exhibit at the Seward Johnson Grounds for Sculpture is a sampling of her wall hangings and sculptures.
Her medium is paper road maps. Remember those, old timers?
She cuts away the land masses, leaving only the roads, boarders and waterways.
Only the linear forms remain.
It’s exacting, effective work.
For sculpture, the maps are placed over Lucite forms.
There was some mumbo-jumbo about the work being metaphorical for a personal journey. Get it? Map = journey. There was also some stuff about negative space and spatial counterpoints. As usual, I freely admit to lacking the intellectual capital required to see through to these metaphysical suppositions. The pieces were fetching and I respect the work that went into creating them. Isn’t that enough?
The many moods of Tillie.