Last month this blog celebrated its 10th anniversary. 10 years! The totality of my 11-year old’s life. Most of my 16-year old’s. Half my marriage. I didn’t notice the blessed event. It passed by like a rainy Tuesday. I can only surmise that it didn’t matter to me. If it had, I’d have seen it coming and made a big deal out of it.
10 years ago I suppose I had some vague notions of minor fame and financial gain but they were crushed pretty quickly. At one point, I gathered my journal entries into a “book.” 75,000 words! I paid to have it professionally edited. The editor said the good news is that I might have some raw talent. The bad news is that there’s no narrative. She said I needed a plot thread to tie all the entries together. I’ve always been cursed with a fatal lack of ambition and an anemic work ethic, so I made her grammatical edits and sent the thing out to a dozen agents. The response was a deafening silence. Glad I got that out of my system.
Once I started posting I couldn’t stop. I’ve tried to quit several times, fearful that my daughters would stumble upon the dark and embarrassing secrets in my journals, but I can’t. It’s the only creative outlet I have. And I use the term ‘creative’ in its most broad sense. I crawl the theaters, galleries and museums as an audience member. That’s all I’ve ever been. The audience. But this idiot blog allows me to be a participant.
I guess this is a genuine addiction. It could be worse. It could be whiskey and whores. And gambling. Some guys go that route. But anniversaries? They don’t mean a thing if they ain’t got that swing. Doo wah. Doo wah.
Taken from my office, Friday, April 20, 7:30 a.m. The Lincoln Tunnel bus conga line.
Only the rush hour hell to face
Packed like lemmings into shiny metal boxes
Contestants in a suicidal race
That tiny hole in the upper left corner of the pic is the Lincoln Tunnel entrance. It spits out into New Jersey. These are Thoreau’s men (and women) who lead lives of quiet desperation.
There are some agonizingly long plays this season on Broadway. Where is the line that separates artistic vision from overindulgence? For instance, Andrew Garfield and Nathan Lane headline in a revival of Angels in America. It’s one story, but two plays. Part 1: Millennium Approaches is 3:30. Part 2: Perestroika is 4:00 From entry, through intermissions, to the end you’re in the theater for eight solid hours.
Harry Potter and the Cursed Child opened last night and it, too, is one play in two parts. Part 1 is 2:40. Part 2 is 2:35. I took my daughter and we were there for six hours. It was super but, honestly, it didn’t need to be that long.
You can see Angels and Potter on consecutive evenings or see both parts in one day on Wednesdays and Saturdays. You can’t see Part 1 of either and not see Part 2. Part 1 of both ends with a cracker of a cliffhanger. In this way, they charge you DOUBLE because you have to buy a separate ticket to each part. Clever. Insidious.
Denzel Washington is starring in Eugene O’Neill’s The Iceman Cometh. 4:00. Four hours! At least it’s one shot. You don’t have to purchase two tickets. In a NY Times fluff piece, they asked Washington about the grueling demands of a four hour play.
“Listen, this is what I love: acting on stage. And I don’t have to do anything else. Just be in this play. So, don’t feel sorry for me compared to most workers in America.”
Feline pin-ups of the week. I make no apologies for posting cat photos. I’m going to continue to insist they have genuine artistic merit. Like reality TV. Or overstuffed theater.