I don’t work for The New York Times but I do work in Times headquarters. It was designed by the charmingly-named Italian architect Renzo Piano. He also designed the Whitney Museum of Art and The Shard in London.
The Times HQ is a high-prolife address. We get protesters out front on a semi-regular basis. Various fringe groups hang banners on the building adjacent to the main entrance demanding The Times pay more attention to their special obsession.
Occasionally, like, for instance, yesterday, an NYPD flatbed semi will roll up 8th Avenue with a load of concrete barriers. The kind that’ll prevent a truck ladened with explosives from driving through the main entrance.
They’ll set up a ring around the perimeter.
It’s a little unnerving to wonder what prompts this. Who are they trying to keep out? Later in the day a company-wide email was circulated stating the barricades were being installed in advance of Election Day. Are they worried about violence and destruction of property after the results are announced? What have we become? A third-world banana republic?
I bought a lottery ticket, which is something I never do. It’s humiliating. I fancy myself a sophisticated student of the odds. I like casinos and craps tables. Even slot machines, the bastion of blue-haired old ladies, have more dignity than lotto. Barely.
I took this shot when no one was looking. They don’t like you taking photos inside the casino. They’ll throw you out if they catch you.
What I didn’t realize until later was that I inadvertently caught, in a blur on the left mid-photo, the dice flying through the air. A six and a five. That’s yo-11.
The state lottery is a tax on the desperate. But if you’re going to jack that pot up to $970,000,000 then deal me in. An incomprehensible amount of money. I could finally buy a Rothko!
If I win I’ll get rid of the few friends I have and surround myself with sycophants and boot lickers. I’ll get a girlfriend half my age. Japanese. Barely understands English. Named Yum-Yum.
I hope I don’t win. I couldn’t handle it.
I was down at Astor Place in the East Village last week. Long time gone. It was different and the same. I wasn’t bothered by the changes. It’s a waste of time to complain about gentrification. It’s the oldest bitch in the book.
“In twenty years, or thirty at farthest, we shall see here nothing more romantic than shipping, warehouses, and wharves. Every noble cliff will be a pier, and the whole island will be densely desecrated by buildings of brick, with portentous of brown-stone, as the Gothamites have it.”
Edgar Allan Poe in a letter from 1844
I had a shawarma pita at Mamoun’s. Still cheap and good. Saw a play at The Public. Glenn Close plays Joan of Arc’s mother. My two friends loved it, as did the reviewers, but I thought it was simply okay. It was disjointed. The dialogue toggled between contemporary and period language. It was either funny or they were describing how Joan was burned. The cast was strong but the actor playing Joan was a weak link. And if your play is about Joan of Arc, that’s a problem.
I should’ve waiting until after the reviews were out to see it. Then I would’ve known how to react. I’d still take a night of middling theater over a night of epic TV.
We are moving to the part of the year when the sun is rising just as I arrive at work. I’m hoping the new construction to the left of the Chrysler Building won’t obstruct my view when it’s completed.