A meal fit for a king. Here, King! Here, King!

I missed dinner with the family because I wanted to go to the gym. It’s been a while and my pants are a little tight in the waist. When I got home I was on my own and had to fend for myself. Mrs. Wife offered me some lovely leftover pasta and shrimp, but I decided to graze instead. Have you ever done that? Just kind of picked around the kitchen until you’ve nibbled about a meal’s worth of food? It’s hard to know when to stop. Here’s what I ate for dinner:

A tuna sandwich
A slice of (leftover birthday) apple pie
A handful of Life cereal
A half a dozen grapes
A dollop of Skippy extra crunchy peanut butter on my index finger
The rest of the Lay’s Kettle Cooked chips
A Klondike ice cream sandwich.
One red Twizzler

How positively revolting.

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In the summertime, every New Yorker knows where to get dessert during their after-meal walk up the Avenue.

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Mister Softee and the Empire State Building: two New York City icons

Be careful of imitations! Accept no substitutes! No matter where you are in Manhattan, from May through August, a Mister Softee truck is just steps away. They’re like cockroaches. The ubiquitous Mister Softee jingle has been driving New Yorkers mad for 50 years. There were so many complaints about the jingle over the years that, by law, it can now only be played while the truck is in motion. THAT’S what I call an earworm. Imagine what it must be like for the poor drivers.

Oh, how I love bad theater

poster-PTP+2010-fe-1I love bad theater. The worse, the better, if you know what I mean.I hadn’t been to a play in about six weeks and I needed a fix. Stop all that eye-rolling. It’s my thing. You do whatever it is you do and I go to plays. Don’t judge, least ye be judged by my wicked hammer of sarcasm. You don’t want that, trust me.

This past season I feasted on a fairly steady diet of Broadway and off-Broadway plays that were celebrity-driven vehicles. Famous actors do a play for 10 weeks to burnish their credibility as artists. Sometimes it works (Scarlett Johansson). Other times, not so much (Catherine Zeta-Jones). I feel like I’d gotten away from the small, black box theaters. These are intimate productions of not-always popular material with actors in training. It’s where the rubber meets the road for actors and audience.

The Potomac Theater Project has taken up its summer residence at The Atlantic Theater Stage 2 in Chelsea. My mind was turning to mush by too much easy, popular fair, so I thought it was time to shut up, take my medicine and suffer through some avant garde theater.

I saw Plevna: Meditations on Hatred and Gary the Thief by British playwright Howard Barker. I knew what I was getting myself into. The two brief one-acts, each with a single actor, are called “theatrical poems.” In the program, Barker describes his work as “‘Theatre [sic] of Catastrophe’ in which no attempt is made to satisfy any demand for clarity.”

Oh, brother.

This stuff is hard to absorb. The dialog was Joycean in its complexity and my understanding (and attention) would fade in and out. But it was a Herculean effort by the actors and I can always appreciate that. The audience included an acting class and the students seemed impressed.

So that’s that. I’ll probably take in a few more of these small, serious, dreary, experimental plays before the fall season kicks it, just to keep my chops up. In a few weeks, the Potomac will present A Question of Mercy by David Rabe, which is a bit more mainstream. I might drop in on that. But no worries. In October, James Earl Jones and Vanessa Redgrave are doing a revival of Driving Miss Daisy on Broadway, so it won’t be long until my brain is back to populist mush. Darth Vader is subservient to an activist for Palestinian rights. That’s what you get with famous actors. A lot of baggage and preconceived notions.

I’m glad it’s your birthday

Today is Billy Crudup’s birthday. Also, Graham Jones, guitarist from Haircut 100. Kevin Bacon, Wolfgang Puck, Billy Eckstine, Beck and Nelson Rockefeller.

And me.

Apropos of nothing, here’s a rare full-frontal shot of Daughter and I on the roof of the Met at the Big Bambú exhibit. Just so you know who you’re dealing with.

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Yeah, that’s my man-purse. I got it for free from Kenneth Cole. You got a problem with that?

A day at the drunken races

We like to take the girls to the local thoroughbred track a few times over the course of the racing season. Monmouth Park (The Shore’s Greatest Stretch) is actually a pretty big deal in the racing community. The Breeder’s Cup is held there on a regular basis.

Horse people are an economically diverse bunch. They’re either hat people or track people. The hat people own horses. The well-heeled wives wear wide-brimmed hats, smile big toothy grins, and greet one another with air kisses. Some [actually, many] are cosmetically enhanced. The husbands wear pastel jackets and pinky rings. They seem to be a happy bunch. They sit in the clubhouse. We don’t ever sit in the clubhouse, so the only time we ever see hat people, is when they come down from their lofty perch to have their photos taken in the winner’s circle with the jockey and the horse.

We’ll usually sit outside with the track people. Track people are grinders. They are there to make money. So are the owners, of course, but the track people seem to need it a hell of a lot more than the hat people.

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There’s a thread that runs through track people that ties them all together. There is a common element. Aside from horses and $2 bets, they have an affinity for the drink.

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(This one was a loser. They all were.)

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Some of them drink beer for breakfast. I don’t think this guy is kidding.

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That’s his son playing in the dirt. I’ll bet he’d like some attention from dear old dad. I wouldn’t say I was anti-alcohol but, like organized religion, it should be used in moderation. Too much of either is a bad thing.

This is the tattoo du jour. She had the footprints of her newborn tattooed onto her leg. I’ve never seen that before, so she get a point for originality. Seriously. Do you know how difficult it is to do something totally original?

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* * *
Mrs. Wife was out last night and I put The Daughters to bed. About :30 minutes after tucking her in, 3-Year Old got up and said her chin hurt. (?!?!) It was a ruse, of course, so I took her back to her room, sat down in the rocking chair, she curled up in my lap and I rocked her for a while.

She’ll be four in about three weeks and I realized that that was probably the last time I’ll ever rock her to sleep. She usually goes to bed without a problem and if something is wrong, she’ll call Mrs. Wife. So that was it. I’ll never rock her to sleep again. I haven’t rocked 8-Year Old to sleep for years and years. I can’t remember that last time I did. It just slipped away without my noticing. Nothing last forever. Not the good stuff and, thankfully, not the bad stuff either.

Play me: 5,288 keys

Play Me*, I’m Yours is the installation by British artist Luke Jerram. It follows a successful run in London. Jerram gathered 60 used pianos and placed them in parks, plazas and on street corners throughout the five boroughs. Anyone can walk up, sit down and bang out a tune.

This is one of two pianos in Times Square. It was smack dab in the middle on an island on Broadway and 47th Street.

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All 60 pianos were painted by volunteers. Each piano has its own distinctive design. One of them was painted by Sophie Matisse, granddaughter of Henri Matisse. (Not this one.) The pianos are protected from theft by being tethered to big cinder blocks. That, and the fact that they’re pianos.

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I thought it was going to be a lot of people just plonking away at the keys but most of the people I heard play seemed to be quite accomplished. There were dozens of brief concerts in a wide variety of music styles. For free!

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This piano was painted a boring battleship gray. Not very imaginative at all.

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But it was in a great location. Right behind the New York Public Library’s stone lion, Patience. (Or is that Fortitude? They all look alike to me.)

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The paint job on this one was also nothing to marvel at. They placed it in a playground in Madison Square Park. This piano took a lot of abuse. Many of the kids were playing with their balled-up fists. But what can you expect?

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Of the several I saw, this was clearly the most imaginative paint job. It had a great location, too; at the southern end of Times Square.

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In what other city can you stumble upon this unlikely pair of strangers—a young Japanese guitar player and an old black piano player—and watch them find their way through a quiet song, all with the warm, summer Times Square night swirling around them? This town is pure magic, I tell you.

* Every time I stumble across one of these pianos and see the exhibit name painted on the side, I get Neil Diamond’s Play Me in my head as an unwanted earworm. This is courtesy of my mother, who played Diamond’s Moods album constantly when I was a kid.

You are the sun
I am the moon
You are the words
I am the tune
Play me