Star Struck c. 1993

More “fascinating” tidbits from my recently-excavated journals. This one from 1993.

*     *     *

star struck

I rode the elevator up with Hedy
and
the Old Lady from the 6th floor
who has never spoken a word
to me
or anyone else
in the 3+ years I’ve lived here.

She’s a typical NYC octogenarian:
sloppily applied bright, red lipstick
bowed back
quiet
resigned.
The city beat the stuffing out of her.
It’ll get me, too.

I was showing Hedy my mail:
an appeal for a contribution
from an association that saves trees.
Robert Redford loaned his name to the cause.
It appeared in the return address.
I said to Hedy, “Look at this!
I got mail from Robert Redford!”

The small, frail mother
suddenly straightened her back.
Her eyes lighted.
She said in a loud voice:
“I MET Robert Redford when I WORKED at the HOTEL.”
I asked, “Was he nice to you?”
“Oh my, YES! VERY nice. And very HANDSOME, too.”
She was screaming.
“I MET THEM ALL.
OSCAR HAMMERSTEIN took me to his apartment
and showed me his GUN COLLECTION.”

The elevator stopped on the 5th floor.
Hedy and I got off.

Nobody reading this has ever had
a personal tour of Oscar Hammerstein’s arsenal.
And you never will.

It’s encouraging to see that
even at our nadir
we remember our apex.
Our moment of glory.

Racist cabbie

Thumbing through my journals has unleashed a torrent of lost and, in some cases, intentionally forgotten memories. But it’s been almost 20 years to the day and I didn’t need any prompting to remember this cab ride.

*     *     *

March 10, 1993

I had an interesting cab ride home tonight. The driver was French, which was unusual in and of itself. We started chatting and he asked me how I liked living in a slum. This isn’t a slum! Is it?

[Note: At that time, the neighborhood was crawling with junkies and their suppliers. There were a few abandoned, boarded-up buildings but it wasn’t a slum. The irony is that thanks to gentrification, I couldn’t afford to move back into my old apartment even if I wanted to.]

He said he grew up outside of Paris, lived in Morocco for several years and has been in New York for the past 15. He said everywhere he’s been it’s the same; the slums are filled with blacks and Puerto Ricans. They’ve always been there and they’ll always be there. He said they don’t have the wherewithal to pull themselves out.

He said, “People like you and me have The Panic in us. It’s The Panic that makes us get out of bed and go to work in the morning. But those people don’t have The Panic in them and because of that, they’ll always live in ghettos. It’s in their blood.” I couldn’t believe it.

He said the difference between us and them (he actually said “us and them”) is that if someone gave him $50,000 and gave me $50,000 and gave someone in “the slum” $50,000, he and I would start a business and invest in our future but the slum person would just blow it. He doesn’t know me very well, does he?

I wonder if he was serious about this stuff? He sure sounded sincere. I have a suspicion that he was one of those nutty out-of-work actors doing a Stanislavsky exercise. You know, inhabiting a character for a day. But he was kind of old to be an out-of-work actor. Old, white, French racist. I stiffed him on the tip just in case he was serious and for being a dickhead if he wasn’t.

*     *     *

As long as I’m being dreary today, here’s a more contemporary example of how humanity is a disappointment.

I had to run a mid-day errand. I always like to walk through Rockefeller Center and stop to watch the tourists on the ice skating rink. They’re all on vacation and in a good mood. I like to see people enjoying New York City. It makes me feel strangely vindicated for my choices in life. I know how that sounds. Don’t judge me.

I stumbled across a living Currier and Ives print. A mother and her sweet little daughter gracefully gliding around the rink, hand in hand. What a beautiful moment, and one I’m sure the little girl will cherish for years to come.

That lasted for about a half a lap. Mom’s cell phone rang and she spent the remainder of their time together on the ice yammering into her phone. It must have been a pretty important call.

RCRink

The little girl would occasionally slip on the ice and mom would just yank her up onto her feet again. She wouldn’t even interrupt her conversation to help her. I wanted to climb down onto the ice and cross check her into the boards. But that would have been crazy, right? Yes dear, mother loves spending time with you, but what’s coming out of that phone is far more interesting than what you have to offer.

What a terrible, lost opportunity. Teach your children well, indeed.

Shadow Hallucinations

Take a look at this bit of fun that’s on display in MoMA’s atrium until the end of the year. Seemingly rational, mature adults are dancing and flailing their limbs in front of a giant lightbox. This installation is Shadow Monsters by British artist Philip Worthington. Before throwing a shadow up against the wall, it’s first filtered through some custom Java script and physics software. This is the result:

Not only are the images distorted, but motion-generated sounds are added to include chirps, grunts, squeaks and, best of all, great, wallowing belches. Groups of people are fun to watch because they generate the most noise, but there’s a beauty and elegance to watching a lone dancer.
*     *     *

In honor of the holiday season, American Atheist erected a billboard just north of Times Square.

shadowphoto

This is pretty inflammatory stuff and it’s going to offend a lot of people. Some poor mom and pop just want to bring the kiddies to Radio City to watch the Rockettes high-kick. They turn the corner and get smacked with this. The next thing you know, the kids are asking a lot of uncomfortable questions.

The atheists aren’t going to win any converts this way. Aside from the name-calling, they’ve mixed up their holidays. It looks like they’re referring to Easter. My initial reaction was a surprise to myself. Instead of passing judgment on the appropriateness of the message or sparking an internal debate over whether or not God exists, I was overwhelmed with a sense of pride that I live in a democracy. You’d never get away with something like this if you lived in China or the Middle East. Can you imagine if you lived in Iran and put up a big billboard implying that Allah is a myth?! You’d get chopped up into tiny morsels.

55th Street; 7:34 a.m.

I like the way the morning light hits the façade of that building in the foreground. [It’s more dramatic in person. I’m disappointed with this shot.] It only lasts a minute or two. And how about that Chippendale dresser top on the crown of the Sony building? Petty fancy.

55th-st1

line-art

Fun line art on a Times Square subway stanchion.

If you resist the urge to read the name and just look at it in conjunction with the reflection, it makes an interesting glyph. Two hour glasses. An infinity symbol. An end tag.

moma1

JP1

The girlies admiring Pollock’s One: Number 31.

*     *     *

Anaïs Nin called New York “an ugly prison.”

I don’t know. I just don’t see it.

Chay-Chay-Chain. Chain of Nudes.

Photographer David LaChapelle got his leg-up from Andy Warhol shooting for Interview Magazine. That lead to a whole slew of gigs shooting wealthy, famous celebrities.

His current (FREE) exhibit in the architectural landmark Lever House lobby is Chain of Life. It’s a huge, playful, paper chain constructed from strips of photographs. The chain stretches and dips the length of the lobby. Quite an impressive feat!



It’s hard to tell because of my shitty camera skills, but the color tone at the front of the chain (by the Park Avenue entrance) is dark. As it stretches through the lobby, the tone lightens considerably, giving it an effective dark-to-light blending.



The chain stretches down to the floor. It’s hard to resist giving it a good tug!



Upon closer examination, you’ll see that all of the photos are of nude bodies! [Go ahead. Click on them.]



The exhibit write-up speaks to “…humanity’s need for one being to affect or connect to the next.” I never get these write-ups. They always sound superficial to me. I enjoy art on a very visceral level. I’m shallow that way.



I consider sneaking this exhibit into a big, public space like Lever House a real coup! I’ve been back twice on my lunch hour; not because it’s titillating (there are too many male genitalia for my taste) but because I can’t imagine too many public spaces putting up with this sort of thing.



It’s up through September 30. If you anywhere nearby it’s worth a look. If you go, walk across the street, south a few blocks and have a look a the lobby and floral displays of the Waldorf-Astoria. Always a treat.