Pretty Picture$

The autumn Impressionist and Modern Art Auctions are about to take place at Christie’s. I previewed the lots on my lunch hour. Here are few highlights with the estimates—because half the fun of these auctions are the price tags. I am still blown away by what people are willing to spend on a wall hanging. It’s important to view these works while you have the chance because it’s the only time many of them will ever been seen in public. They’re passing from one private collection to another. Once the auction is over, they’ll disappear above someone’s mantel on 5th Avenue. Additionally, I use the auction preview as an effective way to confirm my position on the economic totem pole.
I’m going to make a blanket statement and say these photos do no justice to the work. The lighting is poor for camera phones. I’m still waiting on my iPhone 5 upgrade with its superior camera sensor. After the auction, I’ll come back and post the prices realized. More rubber-necking.
This sculpture greets you at the entrance. Tulips by Jeff Koons. I like it. It was a sunny, blue-sky day when I saw it and the light gleamed bright off of its surface. They’re in a shallow reflecting pool, which is a fantastic way to display this.
 koons1My favorite part of this piece is the estimate. The estimate is: “Estimate on Request.” Do you know how much that is? It’s a lot. It’s if-you-have-to-ask-you-can’t-afford-it. SOLD: $33,682,500. And you would display this where, exactly?

koons2

I really love this piece, too. Nude with Red Shirt by Roy Lichtenstein. What’s that swoosh of hair on the left? Is someone watching her? It’s very, very, very sexy, don’t you think? Est. $12,000,000-18,000,000. SOLD: $28,082,500. Well above the estimate!

litch
Mark Rothko’s Black Strip (Orange, Gold and Black). To me, this is something I could hang in my den and greet day after day. Est. $15,000,000-20,000,000. SOLD: $21,362,500. That’s $5,340,625 per color.
rothko Here’s the centerpiece of the auction. Nympheas by Monet. Est. $30,000,000-50,000,000. I run hot and cold with the Impressionists, but this is pretty nice. I got kind of woozy standing in front of it. I don’t know if that was because of Monet’s brush work or the estimate. SOLD: $43,762,500. Right in the estimate ballpark.
monetDoes anybody not like Modigliani? Nobody does a woman’s seductive neck like this guy. His Jeanne Hebuterne (Au Chapeau) is estimated at £16,000,000-22,000,000. I wish I could have gotten a better shot of this. Her warmth does not show through.  SOLD: £16.36m.
modigSun Water Maine by Georgia O’Keeffe. I had to take this pic at an angle because of the terrible glare on the glass from the gallery light. Poorly hung, but beautifully painted. Est. $1,000,000-1,500,000. Might be worth it, if you ask me.
okeef
Two by poor, prematurely dead, Andy Warhol. Statue of Liberty. Estimate on Request!? Really?! I wonder why? What makes this one so special? I can’t wait for the results. SOLD: $43,762,500. I found out what the big deal was. It’s printed in a green/red overlay and if you wear 3D glasses, it pops.
warhol1Brillo Soap Pads. Est. $500,000-700,000. This, perhaps, the biggest goof played on the modern art world. Andy is laughing in his grave, I’m sure. SOLD: $410,500. Under estimate. A bargain.

warhol2With every auction there has to be some junk thrown in. It proves, time and time again, that wealth is not a barometer of good taste. It’s up to me, from high atop my pedestal, to point out where people are being careless with their discretionary income.

Oh, my, my. Moutons de Laine, Un Troupeau de 24 Moutons by François-Xavier Lalanne. It’s stuffed sheep. 24 of ’em. He didn’t bother to put heads on some of them. So lazy. They’re mingling in the corridors that lead to the galleries. See the black one in the middle? So clever. Est. $4,000,000-6,000,000. Help yourself. Baaaaaa. SOLD: $5,682,500.
sheepI have never seen a painting by Jean-Michel Basquiat that I thought was worth a damn and this certainly doesn’t change things. Untitled. Estimate on Request?! Is that a typo?! SOLD: $26,402,500. Proving, once again, that crap sells.

basqPrag 1883 by Gerhard Richter. Est. $9,000,000-12,000,000. I cannot fathom why anyone would spend 10 MILLION dollars on this. I know Richter is hot right now but that’s no excuse. I don’t mind being challenged but this thing is beyond my ken. Feel free to school (or scold) me in the comments section. DID NOT SELL. Because it’s crap, obviously.

richterBuste de Femme by Picasso. I don’t know. On second thought, I guess I kind of like it. But if I had $8,000,000-12,000,000 and could only buy one painting, I’d probably go for the Modigliani. Wouldn’t you?

picasso1

Love Letter

When I moved to New York City as a single young stallion umpteen years ago, the last thing on my mind was the possibility of being engulfed in a hurricane. Mugged? Flat broke? Long, long periods of time without the kind favours of a girl? Yes, yes and yes. All that happened. But a hurricane? No way. It just goes to show you; you think you have all the angles and possibilities accounted for but it turns out you’re just a punk who can’t tell art from a fart.

Back home, our power inexplicably came back on after only two days. Jersey Central Power and Light pulled a Muhammad Ali rope-a-dope. They said it would take 7-10 days and did it in only two. Now they look like Gods. The fact that we live near a hospital might have helped. The juice is only flowing to a small enclave of houses. Many are still in the dark. Mrs. Wife has hosted an unending parade of people who stopped over to charge their electronics, use our shower and get a hot meal. School is closed until the 13th so she’s also minding a gaggle of children whose parents both work and cannot take time off. That woman is a SAINT, I tell ya.

A large swath of Manhattan is still without power. My morning commute takes me in through the Lincoln Tunnel. Just before disappearing underground, I’m treated to a spectacular sweeping view of Manhattan. Currently, there’s a demarcation line right around 23rd Street. North of that line, the lights of Broadway are burning bright. South of that, it’s pitch black. It looks like a big budget sci-fi horror show. The New York City Marathon has been cancelled, which is a pretty BIG DEAL out here. People arrived from all over the world to run. Now there’s no reason for them to get out of bed early Sunday morning.

Instead of posting pictures of the destruction, of which I have plenty in my iPhone and which I’m sure you’re sick of seeing, I’ve decided to post this video. I recorded it a week before the storm. A love letter to my poor, broken city. Autumn in Central Park. A gentle saxophone plays while tourists stroll and take pictures. The musician sways. A reflection in the water.

Aftershock

Thanks for your on- and off-line messages, everyone. It was a long night. One for the ages. I’ve never seen or heard anything like it. Yes, it sounded like a freight train. That old metaphor. There are trees down all around us leaning up against houses and puncturing roofs and walls but, thankfully, nothing smashed into Casa de Unbearable. I hear the city is a real mess but I won’t get back there until tomorrow or Thursday.

I’d love to watch storm coverage on TV— I hear the photos and videos are spectacular—but we won’t have power for quite some time. I’m so bored. How many games of Crazy 8’s can you play and how many times can you sing “The Lion Sleeps Tonight?” I’ll never bad mouth TV again.

A Hard Rain is Gonna Fall

We’re going to get a little rain.

RED DOT = your intrepid correspondent

mapThere have been fights. People were cutting in line for gasoline. A woman shot past a queue in her white Lexus SUV and pulled up to a pump. It almost caused a riot. The local hardware store only had four generators in stock for about 200 customers who had been waiting for them to open since it was dark outside. You can imagine how that went over.

As hurricane Sandy approaches off the Atlantic from the east, it will collide with a severe winter storm that’s moving across the country from the west. The local media have christened it “Frankenstorm,” which I love. New York will shut down the entire transit system at 7:00 p.m., so you’d better be where you want to be for the next three or so days.

I have a ticket tomorrow night to see The Daily Show correspondent Assif Mandvi in a well-received off-Broadway drama. Not many people are aware of it, but he’s a hell of an actor. The entire run is sold out so even though I’ll be refunded, I’ll not get to see his performance. What rotten luck!

Two BAD JEWS

“If you marry that shiksa and have children, they’ll only be half Jewish. If they marry out of the faith, those children will only be a quarter Jewish. What’s the logical conclusion? We Jews have been set upon for centuries but we’re still standing. We’ve flourished despite the waves of hatred and violence that have washed over us. And now, when it’s easier to be Jewish than at any other time in human history, you’d throw it all away? You have an obligation to something greater than the self. Where is your sense of belonging?”

“I won’t turn my back on the woman I want to spend the rest of my life with to one day maybe, maybe, find someone who meets with rabbinical approval. You’re a staunch traditionalist but when was the last time you read the Bible? Many of the ancient laws have been dismissed as barbaric. The faith is already being watered down without my help. And your demand for racial purity sounds frighteningly familiar. It’s the same philosophy that Nazism was rooted in.”

An argument for the ages. For all nationalities. Those paraphrased words aren’t mine, but I sure wish I could write like that. It’s two days later and Joshua Harmon’s new play Bad Jews is still rattling around inside my head. Two people screaming at each other in a confined space (the theater only has 62 seats) for 1:40 without an intermission about what it means to be Jewish. It doesn’t necessarily make for a pleasant evening, but it makes for a great one.

It ended on a somewhat contrived note that took me out of the story, but that’s a minor quibble. What preceded it was really powerful stuff. Not for the faint. I don’t know if I’d recommend it to everyone because it’s exhausting, but if you’re in the mood to dig down deep, it’ll challenge you.

They’re both right, you know? There’s no winner in that argument.

*     *     *

The girlies disappear into a corn maze (a maize maze!) at the annual autumn festival in suburban New Jersey.

maze1 I follow behind to insure they don’t get “lost.” Don’t tell them but it freaks me out a little bit. I have a touch of claustrophobia and am relieved when we come out the other side.

mazephoto 3
Gratuitous autumn greeting card/calendar shot:

pump