Art auction addendum: A piece that disgusts me

Typically, I don’t do back-to-back auction posts but there are extenuating circumstances. Some of the galleries at Christie’s were vacated after an auction last week so they put more pieces on display from this week’s Post-War and Contemporary Art auction. Here are a few more high (low?) lights and one piece that I found deeply offensive and depressing.

This frivolity is by Maurizio Cattelan.

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Frank and Jamie. $1,500,000–2,500,000
Sold for $965,000. What a deal!

This was good for a laugh but, again, I have to wonder about the practicality of a piece like this. Where would you put it? In the foyer? The estimate may provide the biggest laugh.

But this isn’t the one that offended me.

This beauty is by British bad boy (no, not Banksy) Damian Hirst

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Inviolability. $900,000–1,200,000
Sold for $1,205,000

I saw one of these in the Cleveland Museum of Art over the summer. A security guard yelled at me for taking a picture of it. You know what is is made of, don’t you? Butterfly wings.

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Thousands and thousands of butterfly wings. He breeds them specifically for these pieces. Here’s the center.

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The materials used are listed as “…butterflies and household gloss on canvas mounted on panel.” Here’s another piece that’s smaller.

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Psalm 28: Ad Te, Domine. $150,000–200,000
Sold for $305,000

And the detail.

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They’re beautiful but cruel. Yet, they didn’t offended me.

This sculpture is by Antony Gormley and I loved it.

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Domain LXVI. $400,000–600,000
Sold for $545,000

There’s something about the way it stood in a pool of light and glistened when you walked by that really worked for me. It somehow manages the trick of being both slight and powerful at the same time. Obviously, this isn’t the one that offended me.

I was offended by this.

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3-Meter Girl. $2,000,000–3,000,000
DID NOT SELL. Of course, it didn’t.

Horrible. This ugly objectification of women is courtesy of Takashi Murakami. Do you know how you’re supposed to respect other cultures and not criticize what they might consider art? That it’s okay to not like something, but to condemn is it in poor taste? Well, in the words of Le Clown, fuck that noise. Can anyone tell me what’s wrong with Japanese men? They seem to have a proclivity towards sex-up little girls. Do they feel threatened and intimidated by adult women?

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All I kept thinking was that I’ve got two beautiful daughters at home and how, no matter what age, I wouldn’t want them looking at this. I wondered what it would do to their body image and self esteem.

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Or, do I just need to lighten up? Go ahead. You can tell me. I can take it. I do like how this last photo came out, though. Good composition and shadowing.

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DON’T JUMP! Oh. Wait. It’s only a statue.

I love big art installations and New York has a fairly steady diet of them. They’re not like paintings, which can be viewed over and over again. Once they’re disassembled, that’s it. You’ll never see them again. I fondly remember taking 8-Year Old Daughter to see Christo’s Gates in Central Park several years ago. People complained about it but I thought it was fantastic. Now it only lives in photographs. If you haven’t seen it before, I encourage you to take a look at this post for Ernesto Neto’s anthropodino. It’s the best installation I’ve ever seen.

If you’re coming to New York this summer [Jo] be sure to visit artist Antony Gormley’s Event Horizon outdoor art installation at Madison Square Park. It’s a series of statues that are placed on the roof ledges surrounding the park. When it was being set-up, the NYPD took measures to assure the public that they were not jumpers on the threshold of suicide.

This statue stands at the apex of the Flatiron Building.

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There are 31 statues in all, but only four are on the ground. You can spend time craning your neck trying to locate each statue or you can do what I did and printout the map that’s on his site and bring it with you.

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This is my favorite picture because he stands in the shadow of the Empire State Building spire.

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This guy…

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…is way the hell up there.

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Here’s one of the four statues on the ground. The statues on buildings are fiberglass but these four are iron. I was a little shocked about the genitalia. What do you tell the kiddies? For each statue, Gormley wrapped himself in saran wrap and then was covered with wet plaster. He had to remain motionless for about an hour while the plaster dried. I love artists and actors. I love their kookiness.

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Here’s an article and interview from the New York Times that will enhance your visit.