Heartache Blvd is paved with successful first dates

bins

April 16, 1993

The actress I met last week is a real tomato. I think I’m smitten. I took her to The Public to see the Irish Rep’s production of ‘Seconds Out,’ which was fantastic. I got choked-up and teary but I don’t think she saw, thank God. The Irish are masters of the written word and I love their music. Just keep them out of the kitchen.

I waited in the lobby and wasn’t exactly sure what to look for. We’d only met once, briefly. All I had was a vague recollection. But I recognized her right away when she arrived. So beautiful! An angelic face nestled inside a cloud of sandy-brown hair. She introduced me to some acting friends who work at The Public.

Afterwards, we walked over to Acme on Lafayette and Great Jones. We sat at the bar and drank. We’d lean forward and touch each other’s arm or hand to make a point and the more we drank, the longer the touch would linger. After we were properly pickled, we saw that, sitting on the last bar stool, was George Wendt, the actor who plays Norm on Cheers. He was drinking a mug of beer, holding it the same way his character does. Art imitates life. Or life imitates art. God we laughed!

She offered to pay for drinks, which was sweet, but I know she’s a broke-assed actor so I paid. It was midnight and I told her to use her money for a cab ride and stay the hell out of the subway. She showed me a can of mace she keeps in her purse. It took her a minute to dig it out. She would’ve been beaten over her head several times by the time she found it.

We walked out to Lafayette and I whistled for a cab. One pulled up. I opened the door and before she got in she kissed me. She reached up, put her hand on the back of my head and gently pulled me towards her. She smelled nice. While we were kissing another cab pulled up next to us for me. So we were kissing between two waiting cabs at midnight on Lafayette Street. A wonderful evening. Seeing her next Thursday.

Lauren and I are leaving for the Bahamas Saturday morning. Her friends at work are making fun of her for going to the Caribbean with ‘just a friend’ but that’s exactly how it is. Them bitches at Donna Karan are a mean bunch. I called her and said I met a delightful girl and would she mind coming down with the flu or tuberculosis so I could take her instead. She laughed.

I called Oscar and told him about the Laura/Lauren dichotomy. He asked me how much Lauren has paid towards the ticket to the Prince concert at Radio City last month. I told him she didn’t have to pay me anything because she’s broke. He said if I was gay there’d be men crawling all over each other to get to me. Too bad for the gay community.

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I had time to kill before the theater and did a couple of quick gallery hops. Kevin Francis Gray has some of the most unusual sculptures I’ve ever seen at Pace’s 24th St. Gallery. An ugly beauty, if there’s such a thing.

These are marble. Until you’re standing just a foot or two away, you’d swear they were clay.

HOW did he accomplish these intricate folds and crevices in marble. I didn’t think it was that malleable a medium.

It looks like it was a soft material that was molded with hands. HOW?

Pace Gallery doing it AGAIN, this time on 25th St. with Yoshitomo Nara’s Thinker exhibit. You might be familiar with Nara’s moody adolescent girl.

The exhibit included sculptures and drawings but its primary focus is this image that he has worked over the course of his career.

I don’t find the work repetitive at all. Maybe it’s because I have a house full of moody adolescent girls.

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After Pace Gallery x2 I saw Laurie Metcalf and Chris Cooper in A Doll’s House, Part 2 on Broadway. It’s a terrible title and a terrible marketing campaign for a hilarious comedy/drama. Metcalf and Cooper are pros who can convincingly pivot from comedic banter to serious drama. Deservingly nominated for Best New Play in 2017, but they should shoot whoever thought up that title. I needed TWO personal recommendations before I even considered going.

I felt bad for such a long time about not attending college. If you’d told me when I was a kid that I’d spend a random Thursday evening gallery-hopping in Chelsea before attending a great Broadway comedy/drama, I’d have felt a lot better about the future. All that wasted time fretting. What a shame.

Artiste or Old Letch?

A friend was visiting from California and we went for a Chelsea gallery hop. It’s a satisfying way to spend a Saturday afternoon. We stepped into the Mitchell-Innnes & Nash gallery on 26th Street and was blinded by this light.

Monica Bonvicini
Bent and Winded
LED light tubes, wire, steel

I like bright, shiny things and these light tubes had some interesting angles.

A girl walked into the gallery. As she circled the installation I was struck by the contrast of soft human form against cold mechanical edge. I asked permission to take some pics and she said it was okay. She looks like part of the installation.

I loved how these came out. I thought they had genuine artistic merit and shared them with some friends. What I *didn’t* count on was some of the reactions I got. They accused me of being a base old letch.

One guy called me a “perv.” Another one said it was a pro move. What does that even mean? My intentions were honorable and above-board. It’s not like I asked for her name and number or invited her to join us. She really didn’t seem to mind. They spoiled the achievement.

The James Cohan gallery has a nice solo exhibit by Xu Zhen. I like this concept. Zhen is angry but I’m not sure who at or what he’s mad about. This is the only thing on a wall and it’s pretty stark. The shadows help.

Focus
Camera, aboriginal spear

Where did he get an aboriginal spear? You don’t just pick these things up in a flea market or pawn shop, do you? Can anyone from down under chime in here?

Also by Zhen is this thick, juicy piece. It’s a nice riot of color and texture but you can’t tell its construction until you’re up close.

Under Heaven
Oil on canvas, aluminum

This is a bouillabaisse of thick, juicy swirls and colors. The artist as a confectioner.

I wonder how many tubes of paint he used? It’s a fairly large piece.

The PACE Gallery is the Big Swinging Membrane in the neighborhood. These all-new works are by Julian Schnabel and is a return to form. From a safe distance it has the calm quality of an Impressionist canvas. They’re inspired by the roses growing in the cemetery near Van Gogh’s grave in Auvers-sur-Oise, France,

Up close, the truth is revealed.

Rose Painting (Near Van Gogh’s Grave) III
Oil, plates and Bondo on wood

The nine pieces are constructed using broken plates, china, cups, saucers, etc. They’re affixed to wood with bondo and painted over. They’re about $1 million each and all but one has sold.

Schnable made a series of ‘broken plate’ pieces early in his career. I think I remember reading that not long after they sold (for a lot of dough) the plates started falling off. Art is supposed to last generations and those pieces didn’t even make it past a hyper-modern fad.

This is in the Whitney’s Fast Forward: Painting Through the 1980s exhibit. The image is from the cover of a mass market spy paperback and I love it.

Walter Robinson
Baron Sinister, 1986
Oil on a printed bedsheet

While enjoying this Bond-esque image, who should walk in front of me but a Whitney security guard. Or is that, in fact, Baron Sinister himself?

Choose your next witticism carefully, Mr. Bond.